The transition from the false self (the ego, image, or trauma-induced identity) to Our True Self


Focus—”MY” WAY! Theme—”There is no choice.” Someone who has been chronically traumatized beyond his ability to cope succumbs to this inanimate psychological stage. The grossly distorted inhuman identity that was FORCED upon him by his violent environments, the Mineral accepts as his own. As if his life were at stake, he fiercely adheres to the concocted storyline that his childhood caretakers with extreme post-traumatic stress demanded of him. Any “thoughts” and “feelings” a Mineral-stager might experience inside himself have been “programmed” or indoctrinated into him by other Minerals. The barely alive human psyche inside each Mineral, frozen in traumatic shock, automatically re-creates every trauma. He thereby forges endless hardships for himself and others.
(Although every Mineral has both of these traits, he often is not aware that he does!): Rocky is an example of someone stuck in the Mineral stage. He gets up at the same time every morning. On weekdays, he drives the same route to work to the same job he’s had for thirty years. After work, he stops at the same bar to have a few beers before going home. If anything hasn’t gone “his” way at work or if his wife doesn’t have a delicious meal prepared by “dinner time,” she is his whipping boy. (He may lash out at her physically, emotionally, or mentally.) If he is in good spirits after “roughing her up a bit,” he might stop there. But when she’s “particularly annoying,” he might slip poison into her nightcap. He complains the next morning about her keeping him awake with her “moaning” and trips to the bathroom. “A woman like that is hell to live with!” Rocky thinks to himself—the same words that his child and spouse-abusing dad used to say about Rocky’s mother. Viewing television is Rocky’s great escape. Boxing matches and horror films are his favorites. While these may seem like choices, he is compelled to watch scenes that resemble the brutality of his upbringing.



Focus—”MY” path! Theme—”I choose!” Vegetables believe, “I alone create my special destiny, and I am the star of my show. I choose the ‘good’—what gets me what ‘I’ want. I reject the ‘bad’—what interferes. What I choose is none of YOUR business! But YOU need to…” As much as the Vegetable may think that she is making her own choices, she judges by appearances and largely acts from her environmental programming and conditioning.
Vegetables attach to people’s facades–the images they put forth. They are stuck playing character roles and telling stories of good and evil, or some other black and white theme. While they hold themselves in a positive light, the wounded human “infants” that they have pushed aside to keep up appearances act out the negative reality of their lives. With such polar restrictive movements, resulting from their own split minds, Vegetables cannot venture beyond their traumatic avoidance and reenactment patterns. They endlessly avoid what reminds them of their traumas, or they reenact these traumas themselves.
The Virtual Reality of the Vegetable: Fern is a bubbly, energetic woman in her thirties who dresses beautifully. She spends a lot of time and money on making herself look good. She desires attention for her role as an “activist”—encouraging people to vote. In her mind, she delineates everyone into two camps. Voters are “good people” who love their country and care enough to act on their right to choose their leaders. Nonvoters cause all the problems, in Fern’s opinion. “When leaders feel that no one cares, then of course, they won’t do their best!”
Fern has cast herself as a patriotic person who is making real change in her district. In reality, she lives in a fantasy world. She believes that each individual’s vote counts when the computerized voting in her area is rigged. She is supporting a corrupt system and wasting people’s time. Her efforts could be better spent learning to stand up to the corruption, outside and within, rather than pretending the crooked system works and encouraging others to participate.
Because the Vegetable has no ability to see past the thin veneers of “help” and “healing” put forth by those in the Mineral Stage, she believes the pretty pictures they paint and the fictional stories they tell. She contributes to their pillaging programs, encouraging others to do the same, happy to be supporting a “worthy cause” (notice the “infant’s” limited vision and erroneous labeling based on superficial appearances).

“I died from minerality and became vegetable;
And from vegetativeness I died and became animal.
I died from animality and became man.
Then why fear disappearance through death?
Next time I shall die
Bringing forth wings and feathers like angels;
After that, soaring higher than angels –
What you cannot imagine,
I shall be that.”